Guide to Computing for Expressive Music Performance (Record no. 56360)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 04723nam a22005775i 4500 |
| 001 - CONTROL NUMBER | |
| control field | 978-1-4471-4123-5 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20200421112036.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 120731s2013 xxk| s |||| 0|eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| ISBN | 9781447141235 |
| -- | 978-1-4471-4123-5 |
| 082 04 - CLASSIFICATION NUMBER | |
| Call Number | 004 |
| 245 10 - TITLE STATEMENT | |
| Title | Guide to Computing for Expressive Music Performance |
| 300 ## - PHYSICAL DESCRIPTION | |
| Number of Pages | XIV, 262 p. |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Remark 2 | An Overview of Computer Systems for Expressive Music Performance -- Systems for Interactive Control of Computer Generated Music Performance -- Expressive Performance Rendering with Probabilistic Models -- Artificial Evolution of Expressive Performance of Music -- Modelling, Analysing, Identifying and Synthesizing Expressive Popular Music Performances -- Statistical Approach to Automatic Expressive Rendition of Polyphonic Piano Music -- Evaluation of Computer Systems for Expressive Music Performance -- Computational Music Theory and its Applications to Expressive Performance and Composition -- Anthropomorphic Musical Robots Designed to Produce Physically-Embodied Expressive Music Performances. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | Musicians are able to produce an expressive performance of a fixed score by varying the tempo and dynamics of their playing. This is in contrast to computers and sequencers that historically performed tunes in perfect metronomic time, resulting in a "mechanic" sound. This unique guide/reference presents a broad overview of the work being carried out by the expanding research community dedicated to investigating computer systems for expressive music performance (CSEMPs), covering a significant number of the systems available today. The book discusses all aspects of computing for expressive performance, from the history of CSEMPs to the very latest research, in addition to discussing the fundamental ideas, and key issues and directions for future research. Topics and features: Includes review questions at the end of each chapter Presents a survey of systems for real-time interactive control of automatic expressive music performance, including simulated conducting systems Examines two systems in detail, YQX and IMAP, each providing an example of a very different approach Introduces techniques for synthesizing expressive non-piano performances Addresses the challenges found in polyphonic music expression, from a statistical modelling point of view Discusses the automated analysis of musical structure, and the evaluation of CSEMPs Describes the emerging field of embodied expressive musical performance, devoted to building robots that can expressively perform music with traditional instruments This comprehensive reference is an essential resource for researchers, advanced undergraduates and postgraduates interested in computing for expressive music performance. Music practitioners, music undergraduates, and the general reader will also gain much insight and inspiration from this fascinating text. Prof. Eduardo R. Miranda is a composer and Professor in Computer Music at Plymouth University, UK, where he is Director of the Interdisciplinary Centre for Computer Music Research (ICCMR). Dr. Alexis Kirke is a Research Fellow at ICCMR and composer-in-residency at the Marine Institute - Plymouth University. |
| 700 1# - AUTHOR 2 | |
| Author 2 | Kirke, Alexis. |
| 700 1# - AUTHOR 2 | |
| Author 2 | Miranda, Eduardo R. |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | http://dx.doi.org/10.1007/978-1-4471-4123-5 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | eBooks |
| 264 #1 - | |
| -- | London : |
| -- | Springer London : |
| -- | Imprint: Springer, |
| -- | 2013. |
| 336 ## - | |
| -- | text |
| -- | txt |
| -- | rdacontent |
| 337 ## - | |
| -- | computer |
| -- | c |
| -- | rdamedia |
| 338 ## - | |
| -- | online resource |
| -- | cr |
| -- | rdacarrier |
| 347 ## - | |
| -- | text file |
| -- | |
| -- | rda |
| 650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| -- | Computer science. |
| 650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| -- | Music. |
| 650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| -- | Multimedia information systems. |
| 650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| -- | User interfaces (Computer systems). |
| 650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| -- | Artificial intelligence. |
| 650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| -- | Computer simulation. |
| 650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| -- | Application software. |
| 650 14 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| -- | Computer Science. |
| 650 24 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| -- | Computer Appl. in Arts and Humanities. |
| 650 24 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| -- | Multimedia Information Systems. |
| 650 24 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| -- | User Interfaces and Human Computer Interaction. |
| 650 24 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| -- | Artificial Intelligence (incl. Robotics). |
| 650 24 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| -- | Simulation and Modeling. |
| 650 24 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| -- | Music. |
| 912 ## - | |
| -- | ZDB-2-SCS |
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