Poiesis and enchantment in topological matter / (Record no. 73352)

000 -LEADER
fixed length control field 03581nam a2200505 i 4500
001 - CONTROL NUMBER
control field 6731149
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20220712204819.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 151223s2013 mau ob 001 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
-- print
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
ISBN 9780262318914
-- e-book
082 04 - CLASSIFICATION NUMBER
Call Number 701/.51
100 1# - AUTHOR NAME
Author Sha, Xin Wei,
245 10 - TITLE STATEMENT
Title Poiesis and enchantment in topological matter /
300 ## - PHYSICAL DESCRIPTION
Number of Pages 1 PDF (384 pages).
505 0# - FORMATTED CONTENTS NOTE
Remark 2 Introduction: why this book? -- From technologies of representation to technologies of performance -- Performance in responsive environments, the performative event -- Substrate -- Morphogenesis -- Topology, manifolds, dynamical systems, measure, and bundles -- Practices: apparatus and atelier -- Effects.
520 ## - SUMMARY, ETC.
Summary, etc In this challenging but exhilarating work, Sha Xin Wei argues for an approach to materiality inspired by continuous mathematics and process philosophy. Investigating the implications of such an approach to media and matter in the concrete setting of installation- or event-based art and technology, Sha maps a genealogy of topological media -- that is, of an articulation of continuous matter that relinquishes a priori objects, subjects, and egos and yet constitutes value and novelty. Doing so, he explores the ethico-aesthetic consequences of topologically creating performative events and computational media. Sha's interdisciplinary investigation is informed by thinkers ranging from Heraclitus to Alfred North Whitehead to Gilbert Simondon to Alain Badiou to Donna Haraway to Gilles Deleuze and F�lix Guattari.Sha traces the critical turn from representation to performance, citing a series of installation-events envisioned and built over the past decade. His analysis offers a fresh way to conceive and articulate interactive materials of new media, one inspired by continuity, field, and philosophy of process. Sha explores the implications of this for philosophy and social studies of technology and science relevant to the creation of research and art. Weaving together philosophy, aesthetics, critical theory, mathematics, and media studies, he shows how thinking about the world in terms of continuity and process can be informed by computational technologies, and what such thinking implies for emerging art and technology.
650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1
General subdivision Mathematics.
856 42 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier https://ieeexplore.ieee.org/xpl/bkabstractplus.jsp?bkn=6731149
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type eBooks
264 #1 -
-- Cambridge, Massachusetts :
-- MIT Press,
-- [2013]
264 #1 -
--
-- ,
-- 2013
264 #2 -
-- [Piscataqay, New Jersey] :
-- IEEE Xplore,
-- [2013]
336 ## -
-- text
-- rdacontent
337 ## -
-- electronic
-- isbdmedia
338 ## -
-- online resource
-- rdacarrier
588 ## -
-- Description based on PDF viewed 12/23/2015.
650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1
-- Art
650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1
-- New media art.
650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1
-- Topology.

No items available.