Peripheral vision : (Record no. 73432)

000 -LEADER
fixed length control field 03555nam a2200517 i 4500
001 - CONTROL NUMBER
control field 7176536
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20220712204844.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 151228s2015 maua ob 001 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
ISBN 9780262330060
-- electronic
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
-- hardcover : alk. paper
082 00 - CLASSIFICATION NUMBER
Call Number 776
100 1# - AUTHOR NAME
Author Patterson, Zabet,
245 10 - TITLE STATEMENT
Title Peripheral vision :
Sub Title Bell Labs, the S-C 4020, and the origins of computer art /
300 ## - PHYSICAL DESCRIPTION
Number of Pages 1 PDF (xviii, 133 pages) :
490 1# - SERIES STATEMENT
Series statement Platform studies
520 ## - SUMMARY, ETC.
Summary, etc In 1959, the electronics manufacturer Stromberg-Carlson produced the S-C 4020, a device that allowed mainframe computers to present and preserve images. In the mainframe era, the output of text and image was quite literally peripheral; the S-C 4020 -- a strange and elaborate apparatus, with a cathode ray screen, a tape deck, a buffer unit, a film camera, and a photo-paper camera -- produced most of the computer graphics of the late 1950s and early 1960s. At Bell Laboratories in Murray Hill, New Jersey, the S-C 4020 became a crucial part of ongoing encounters among art, science, and technology. In this book, Zabet Patterson examines the extraordinary uses to which the Bell Labs SC-2040 was put between 1961 and 1972, exploring a series of early computer art projects shaped by the special computational affordances of the S-C 4020. The S-C 4020 produced tabular data, graph plotting and design drawings, grid projections, and drawings of axes and vectors; it made previously impossible visualizations possible. Among the works Patterson describes are E. E. Zajac's short film of an orbiting satellite, which drew on the machine's graphic capacities as well as the mainframe's calculations; a groundbreaking exhibit of "computer generated pictures" by B�la Julesz and Michael Noll, two scientists interested in visualization; animations by Kenneth Knowlton and the Bell Labs artist-in-residence Stan VanDerBeek; and Lillian Schwartz's "cybernetic" film Pixillation.Arguing for the centrality of a peripheral, Patterson makes a case for considering computational systems not simply as machines but in their cultural and historical context.
856 42 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier https://ieeexplore.ieee.org/xpl/bkabstractplus.jsp?bkn=7176536
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type eBooks
264 #1 -
-- Cambridge, Massachusetts :
-- MIT Press,
-- [2015]
264 #2 -
-- [Piscataqay, New Jersey] :
-- IEEE Xplore,
-- [2015]
336 ## -
-- text
-- rdacontent
336 ## -
-- still image
-- rdacontent
337 ## -
-- electronic
-- isbdmedia
338 ## -
-- online resource
-- rdacarrier
588 ## -
-- Description based on PDF viewed 12/28/2015.
650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1
-- Computer art.
650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1
-- Computer peripherals.

No items available.