Inventing cinema : (Record no. 84355)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02737nam a2200433 i 4500 |
| 001 - CONTROL NUMBER | |
| control field | CR9789048550463 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20240730160826.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 201022s2019||||ne o ||1 0|eng|d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| ISBN | 9789048550463 (ebook) |
| 041 1# - LANGUAGE CODE | |
| Language code of text/sound track or separate title | |
| 082 04 - CLASSIFICATION NUMBER | |
| Call Number | 791 |
| 100 1# - AUTHOR NAME | |
| Author | Turquety, Benoît, |
| 245 10 - TITLE STATEMENT | |
| Title | Inventing cinema : |
| Sub Title | machines, gestures and media history / |
| 300 ## - PHYSICAL DESCRIPTION | |
| Number of Pages | 1 online resource (267 pages) : |
| 490 1# - SERIES STATEMENT | |
| Series statement | Cinema and technology |
| 500 ## - GENERAL NOTE | |
| Remark 1 | Originally published as: Inventer le cinéma. Épistémologie : problèmes, machines, Éditions L'Âge d'Homme (Lausanne), 2014 |
| 500 ## - GENERAL NOTE | |
| Remark 1 | Title from publisher's bibliographic system (viewed on 20 Nov 2020). |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | With machines mediating most of our cultural practices, and innovations, obsolescence and revivals constantly transforming our relation with images and sounds, media feel more unstable than ever. But was there ever a 'stable' moment in media history? Inventing Cinema proposes to approach this question through an archaeology and epistemology of media machines. The archaeology analyses them as archives of users' gestures, as well as of modes of perception. The epistemology reconstructs the problems that the machines' designers and users have strived to solve, and the network of concepts they have elaborated to understand these problems. Drawing on the philosophy of technology and anthropology, Inventing Cinema argues that networks of gestures, problems, perception and concepts are inscribed in vision machines, from the camera obscura to the stereoscope, the Cinématographe, and digital cinema. The invention of cinema is ultimately seen as an ongoing process irreducible to a single moment in history. |
| 650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| General subdivision | History. |
| 650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| General subdivision | Equipment and supplies. |
| 650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| General subdivision | Technique. |
| 650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| General subdivision | Technological innovations. |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | https://www.cambridge.org/core/product/identifier/9789048550463/type/BOOK |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | eBooks |
| 264 #1 - | |
| -- | Amsterdam : |
| -- | Amsterdam University Press, |
| -- | 2019. |
| 336 ## - | |
| -- | text |
| -- | txt |
| -- | rdacontent |
| 337 ## - | |
| -- | computer |
| -- | c |
| -- | rdamedia |
| 338 ## - | |
| -- | online resource |
| -- | cr |
| -- | rdacarrier |
| 650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| -- | Cinematography |
| 650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| -- | Cinematography |
| 650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| -- | Motion pictures |
| 650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| -- | Motion picture projection |
| 650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| -- | Digital cinematography. |
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