000			03452nam a22005775i 4500
001			978-3-642-27898-3
003			DE-He213
005			20200420211739.0
007			cr nn 008mamaa
008			130417s2013 gw | s |||| 0|eng d
020			_a9783642278983 _9978-3-642-27898-3
024	7		_a10.1007/978-3-642-27898-3 _2doi
050		4	_aHD28-70
072		7	_aKNT _2bicssc
072		7	_aJFD _2bicssc
072		7	_aBUS070060 _2bisacsh
082	0	4	_a658 _223
245	1	0	_aMusic Business and the Experience Economy _h[electronic resource] : _bThe Australasian Case / _cedited by Peter Tschmuck, Philip L. Pearce, Steven Campbell.
264		1	_aBerlin, Heidelberg : _bSpringer Berlin Heidelberg : _bImprint: Springer, _c2013.
300			_aIX, 229 p. _bonline resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0		_aFrom Discord to Harmony: Connecting Australian Music and Business Through the Experience Economy -- Australian Copyright Regimes and Political Economy of Music -- New Music Production Modes and Indigenous Music in North Queensland and the Torres Strait -- Australian Independent Music and the Experience Economy -- Recorded Music Sales and Music Licencing in Australia, 2000-2011 -- P2P File-Sharing: How Does Music File-Sharing Affect Recorded Music Sales in Australia?- Digital Distribution Models Reviewed -- The Landscape of Musical Festivals in Australia -- The Influence of Dirty Pool on the Australian Live Music Industry -- Building Brands with Music -- Australian Music and Aussie Team Sports -- The Valuation of Music in Australia: A Chart Analysis 1988-2011 -- Enterprise Learning in Australasian Tertiary Music Education.
520			_aMusic Business and the Experience Economy is the first book on the music business in Australasia from an academic perspective. In a cross-disciplinary approach, the contributions deal with a wide-range of topics concerning the production, distribution and consumption of music in the digital age. The interrelationship of legal, aesthetic and economic aspects in the production of music in Australasia is also highlighted as well as the emergence of new business models, the role of P2P file sharing, and the live music sector. In addition, the impact of the digital revolution on music experience and valuation, the role of music for tourism and for branding, and last but not least the developments of higher music education, are discussed from different perspectives.
650		0	_aBusiness.
650		0	_aCulture _xStudy and teaching.
650		0	_aMusic.
650		0	_aIndustrial management.
650		0	_aE-commerce.
650		0	_aLaw and economics.
650		0	_aManagement.
650	1	4	_aBusiness and Management.
650	2	4	_aMedia Management.
650	2	4	_aMusic.
650	2	4	_aRegional and Cultural Studies.
650	2	4	_aCultural Management.
650	2	4	_aLaw and Economics.
650	2	4	_ae-Commerce/e-business.
700	1		_aTschmuck, Peter. _eeditor.
700	1		_aPearce, Philip L. _eeditor.
700	1		_aCampbell, Steven. _eeditor.
710	2		_aSpringerLink (Online service)
773	0		_tSpringer eBooks
776	0	8	_iPrinted edition: _z9783642278976
856	4	0	_uhttp://dx.doi.org/10.1007/978-3-642-27898-3
912			_aZDB-2-SBE
942			_cEBK
999			_c50557 _d50557