000 04400nam a22006255i 4500
001 978-1-4471-2990-5
003 DE-He213
005 20200420221255.0
007 cr nn 008mamaa
008 130321s2013 xxk| s |||| 0|eng d
020 _a9781447129905
_9978-1-4471-2990-5
024 7 _a10.1007/978-1-4471-2990-5
_2doi
050 4 _aQA76.9.U83
050 4 _aQA76.9.H85
072 7 _aUYZG
_2bicssc
072 7 _aCOM070000
_2bisacsh
082 0 4 _a005.437
_223
082 0 4 _a4.019
_223
245 1 0 _aMusic and Human-Computer Interaction
_h[electronic resource] /
_cedited by Simon Holland, Katie Wilkie, Paul Mulholland, Allan Seago.
264 1 _aLondon :
_bSpringer London :
_bImprint: Springer,
_c2013.
300 _aVIII, 292 p.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 1 _aSpringer Series on Cultural Computing,
_x2195-9056
505 0 _aMusic Interaction: Understanding Music and Human-Computer Interaction -- Should Music Interaction Be Easy? -- Amateur Musicians, Long-term Engagement, and HCI -- Affective Musical Interaction: Influencing Users' Behaviour and Experiences with Music -- Chasing a Feeling: Experience in Computer Support Jamming -- The Haptic Bracelets: Learning Multi-limb Rhythm Skills from Haptic Stimuli whilst Reading -- Piano Technique as a Case Study in Expressive Gestural Interaction -- Live Music-making: A Rich Open Task Requires a Rich Open Interface -- A New Interaction Strategy for Musical Timbre Design -- Pulsed Melodic Processing - The Use of Melodies in Affective Computations for Increased Processing Transparency -- Computer Musicking: HCI, CSCW, and Collaborative Digital Musical Interaction -- Song Walker Harmony Space: Embodied Interaction Design for Complex Musical Skills -- Evolutionary and Generative Music Informs Music HCI - and vice versa -- Video Analysis for Evaluating Music Interaction: Musical Tabletops -- Towards a Participatory Approach for Interaction Design based on Conceptual Metaphor Theory: A Case Study from Music Interaction -- Appropriate and Complementary Rhythmic Improvisation in an Interactive Music System -- Index.
520 _aThis agenda-setting book presents state of the art research in Music and Human-Computer Interaction (also known as 'Music Interaction'). Music Interaction research is at an exciting and formative stage. Topics discussed include interactive music systems, digital and virtual musical instruments, theories, methodologies and technologies for Music Interaction. Musical activities covered include composition, performance, improvisation, analysis, live coding, and collaborative music making. Innovative approaches to existing musical activities are explored, as well as tools that make new kinds of musical activity possible. Music and Human-Computer Interaction is stimulating reading for professionals and enthusiasts alike: researchers, musicians, interactive music system designers, music software developers, educators, and those seeking deeper involvement in music interaction. It presents the very latest research, discusses fundamental ideas, and identifies key issues and directions for future work.
650 0 _aComputer science.
650 0 _aSpecial purpose computers.
650 0 _aUser interfaces (Computer systems).
650 0 _aApplication software.
650 0 _aEducation
_xData processing.
650 0 _aComputers and civilization.
650 0 _aPersonal computers.
650 1 4 _aComputer Science.
650 2 4 _aUser Interfaces and Human Computer Interaction.
650 2 4 _aComputer Appl. in Arts and Humanities.
650 2 4 _aComputers and Education.
650 2 4 _aSpecial Purpose and Application-Based Systems.
650 2 4 _aPersonal Computing.
650 2 4 _aComputers and Society.
700 1 _aHolland, Simon.
_eeditor.
700 1 _aWilkie, Katie.
_eeditor.
700 1 _aMulholland, Paul.
_eeditor.
700 1 _aSeago, Allan.
_eeditor.
710 2 _aSpringerLink (Online service)
773 0 _tSpringer eBooks
776 0 8 _iPrinted edition:
_z9781447129899
830 0 _aSpringer Series on Cultural Computing,
_x2195-9056
856 4 0 _uhttp://dx.doi.org/10.1007/978-1-4471-2990-5
912 _aZDB-2-SCS
942 _cEBK
999 _c52855
_d52855