000 02972nam a22005175i 4500
001 978-3-319-11236-7
003 DE-He213
005 20200421111845.0
007 cr nn 008mamaa
008 150708s2015 gw | s |||| 0|eng d
020 _a9783319112367
_9978-3-319-11236-7
024 7 _a10.1007/978-3-319-11236-7
_2doi
050 4 _aNX260
072 7 _aH
_2bicssc
072 7 _aUB
_2bicssc
072 7 _aCOM018000
_2bisacsh
072 7 _aART000000
_2bisacsh
082 0 4 _a004
_223
100 1 _aAgust�in-Aquino, Octavio Alberto.
_eauthor.
245 1 0 _aComputational Counterpoint Worlds
_h[electronic resource] :
_bMathematical Theory, Software, and Experiments /
_cby Octavio Alberto Agust�in-Aquino, Julien Junod, Guerino Mazzola.
264 1 _aCham :
_bSpringer International Publishing :
_bImprint: Springer,
_c2015.
300 _aX, 220 p. 57 illus., 16 illus. in color.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 1 _aComputational Music Science,
_x1868-0305
505 0 _aCounterpoint -- First-Species Model -- Preliminary Background -- Quasipolarities and Interval Dichotomies -- Towers of Counterpoint -- Graphs -- Transformations -- Implementation -- Second-Species Model -- Hypergesture Homology -- Glossary -- Index.
520 _aThe mathematical theory of counterpoint was originally aimed at simulating the composition rules described in Johann Joseph Fux's Gradus ad Parnassum. It soon became apparent that the algebraic apparatus used in this model could also serve to define entirely new systems of rules for composition, generated by new choices of consonances and dissonances, which in turn lead to new restrictions governing the succession of intervals.   This is the first book bringing together recent developments and perspectives on mathematical counterpoint theory in detail. The authors include recent theoretical results on counterpoint worlds, the extension of counterpoint to microtonal pitch systems, the singular homology of counterpoint models, and the software implementation of contrapuntal models.   The book is suitable for graduates and researchers. A good command of algebra is a prerequisite for understanding the construction of the model.
650 0 _aComputer science.
650 0 _aMusic.
650 0 _aApplication software.
650 1 4 _aComputer Science.
650 2 4 _aComputer Appl. in Arts and Humanities.
650 2 4 _aMusic.
700 1 _aJunod, Julien.
_eauthor.
700 1 _aMazzola, Guerino.
_eauthor.
710 2 _aSpringerLink (Online service)
773 0 _tSpringer eBooks
776 0 8 _iPrinted edition:
_z9783319112350
830 0 _aComputational Music Science,
_x1868-0305
856 4 0 _uhttp://dx.doi.org/10.1007/978-3-319-11236-7
912 _aZDB-2-SCS
942 _cEBK
999 _c55760
_d55760