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001 978-3-319-14017-9
003 DE-He213
005 20200421112545.0
007 cr nn 008mamaa
008 150309s2015 gw | s |||| 0|eng d
020 _a9783319140179
_9978-3-319-14017-9
024 7 _a10.1007/978-3-319-14017-9
_2doi
050 4 _aTA174
072 7 _aTBD
_2bicssc
072 7 _aTEC016020
_2bisacsh
072 7 _aTEC016000
_2bisacsh
082 0 4 _a620.0042
_223
100 1 _aChan, Chiu-Shui.
_eauthor.
245 1 0 _aStyle and Creativity in Design
_h[electronic resource] /
_cby Chiu-Shui Chan.
264 1 _aCham :
_bSpringer International Publishing :
_bImprint: Springer,
_c2015.
300 _aXIV, 331 p. 122 illus., 64 illus. in color.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 1 _aStudies in Applied Philosophy, Epistemology and Rational Ethics,
_x2192-6255 ;
_v17
505 0 _a1 Introduction -- Part I Conceptual Framework -- 2 Introduction of Design Cognition -- Part II Style -- 3 Development of Studies in Style -- 4 Style as Identities in Design Products -- 5 Style Approached from the Design Process -- 6 Creation of Style in the Design Process -- Part III Creativity -- 7 Development of Studies in Creativity -- Part IV Style and Creativity -- 8 Creative Processes and Style -- 9 Cognitive Theory of Style and Creativity -- Name Index -- Subject Index.
520 _aThis book looks at causative reasons behind creative acts and stylistic expressions. It explores how creativity is initiated by design cognition and explains relationships between style and creativity. The book establishes a new cognitive theory of style and creativity in design and provides designers with insights into their own cognitive processes and styles of thinking, supporting a better understanding of the qualities present in their own design.  An explanation of the nature of design cognition begins this work, with a look at how design knowledge is formulated, developed, structured and utilized, and how this utilization triggers style and creativity. The author goes on to review historical studies of style, considering a series of psychological experiments relating to the operational definition, degree, measurement, and creation of style. The work conceptually summarizes the recognition of individual style in products, as well as the creation of such styles as a process before reviewing studies on creativity from various disciplines, presenting case studies and reviewing works by master architects.   Readers will discover how creativity is initiated by design cognition. A summary of the correlations between creativity and style, expressed as a conceptual formula describing the cognitive phenomenon of style and creativity concludes the work. The ideas presented here are applicable to all design fields, allowing designers to comprehend and improve their design processes to produce creative, stylistically unique products.
650 0 _aEngineering.
650 0 _aAesthetics.
650 0 _aArchitecture.
650 0 _aIndustrial design.
650 0 _aEngineering design.
650 0 _aCognitive psychology.
650 1 4 _aEngineering.
650 2 4 _aEngineering Design.
650 2 4 _aIndustrial Design.
650 2 4 _aCognitive Psychology.
650 2 4 _aAesthetics.
650 2 4 _aArchitectural History and Theory.
710 2 _aSpringerLink (Online service)
773 0 _tSpringer eBooks
776 0 8 _iPrinted edition:
_z9783319140162
830 0 _aStudies in Applied Philosophy, Epistemology and Rational Ethics,
_x2192-6255 ;
_v17
856 4 0 _uhttp://dx.doi.org/10.1007/978-3-319-14017-9
912 _aZDB-2-ENG
942 _cEBK
999 _c58489
_d58489