000			04033cam a2200637Ii 4500
001			on1297840799
003			OCoLC
005			20220711203746.0
006			m o d
007			cr cnu|||unuuu
008			220217s2021 enk ob 001 0 eng d
040			_aDG1 _beng _erda _epn _cDG1 _dEBLCP _dIEEEE _dOCLCO _dOCLCF _dUKMGB
015			_aGBC234150 _2bnb
016	7		_a020435316 _2Uk
019			_a1291318809 _a1292359708
020			_a9781119885061 _q(electronic bk. : oBook)
020			_a111988506X _q(electronic bk. : oBook)
020			_a9781119885054
020			_a1119885051
020			_a9781119885047 _q(electronic bk.)
020			_a1119885043 _q(electronic bk.)
024	7		_a10.1002/9781119885061 _2doi
029	1		_aAU@ _b000070849501
029	1		_aUKMGB _b020435316
035			_a(OCoLC)1297840799 _z(OCoLC)1291318809 _z(OCoLC)1292359708
037			_a9714896 _bIEEE
050		4	_aTK7881.4
072		7	_aTEC _x001000 _2bisacsh
072		7	_aTEC _x067000 _2bisacsh
082	0	4	_a621.3893 _223
049			_aMAIN
100	1		_aReveillac, Jean-Michel, _eauthor. _910359
245	1	0	_aRecording and voice processing. _n1, _pHistory and generalities / _cJean-Michel Réveillac.
246	3	0	_aHistory and generalities
264		1	_aLondon, UK : _bISTE, Ltd. ; _aHoboken, NJ : _bWiley, _c2021.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	1		_aWaves series
505	0		_aFront Matter -- Recording History -- The Voice -- Microphones -- The Acoustic Environment -- Conclusion -- Appendices. Sound Unit -- Audio Connectivity -- Audio Processing Plugins -- Tube and JFET Microphone Amplifiers -- Microphone Pairs -- Glossary -- References -- Index -- Other titles from iSTE in Waves
504			_aIncludes bibliographical references and index.
588	0		_aOnline resource; title from PDF title page (John Wiley, viewed February 17, 2022).
520			_aCapturing, recording and broadcasting the voice is often difficult. Many factors must be taken into account and achieving a true representation is much more complex than one might think. The capture devices such as the position of the singer(s) or narrator(s), the acoustics, atmosphere and equipment are just some of the physical aspects that need to be mastered. Then there is the passage through the analog or digital channel, which disrupts the audio signal, as well as the processes that are often required to enrich, improve or even transform the vocal timbre and tessitura. While in the past these processes were purely material, today digital technologies and software produce surprising results that every professional in recording and broadcasting should know how to master. Recording and Voice Processing 1 addresses some general theoretical concepts. A history of recording and the physiology of the vocal apparatus are detailed in order to give the reader an understanding of the fundamental aspects of the subject. This volume also includes an advanced study of microphones, addressing their characteristics and typologies. The acoustic environment and its treatment are also considered in terms of the location of the sound capture - whether in a home studio, recording studio, live or natural environment - in order to achieve a satisfactory sound recording.
650		0	_aVoice. _910627
650		0	_aSound _xRecording and reproducing. _95900
650		6	_aSon _xEnregistrement et reproduction. _0(CaQQLa)201-0005729 _910628
650		7	_aSound _xRecording and reproducing. _2fast _0(OCoLC)fst01126957 _95900
650		7	_aVoice. _2fast _0(OCoLC)fst01168739 _910627
655		4	_aElectronic books. _93294
776	0	8	_iPrint version: _aRveillac, Jean-Michel _tRecording and Voice Processing, Volume 1 _dNewark : John Wiley & Sons, Incorporated,c2022 _z9781786306708
830		0	_aWaves series. _95903
856	4	0	_uhttps://doi.org/10.1002/9781119885061 _zWiley Online Library
942			_cEBK
994			_aC0 _bDG1
999			_c69765 _d69765