000 | 03554nam a2200541 i 4500 | ||
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001 | 6267328 | ||
003 | IEEE | ||
005 | 20220712204631.0 | ||
006 | m o d | ||
007 | cr |n||||||||| | ||
008 | 151223s2004 maua ob 001 eng d | ||
020 |
_a9780262256896 _qebook |
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020 |
_z0262256894 _qelectronic |
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020 |
_z0585467129 _qelectronic |
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020 |
_z9780585467122 _qelectronic |
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020 |
_z9780262681490 _qprint |
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035 | _a(CaBNVSL)mat06267328 | ||
035 | _a(IDAMS)0b000064818b42fa | ||
040 |
_aCaBNVSL _beng _erda _cCaBNVSL _dCaBNVSL |
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050 | 4 |
_aML74 _b.R68 2001eb |
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100 | 1 |
_aRowe, Robert, _eauthor. _922158 |
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245 | 1 | 0 |
_aMachine musicianship / _cRobert Rowe. |
264 | 1 |
_aCambridge, Massachusetts : _bMIT Press, _cc2001. |
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264 | 2 |
_a[Piscataqay, New Jersey] : _bIEEE Xplore, _c[2004] |
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300 |
_a1 PDF (x, 399 pages) : _billustrations. |
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336 |
_atext _2rdacontent |
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337 |
_aelectronic _2isbdmedia |
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338 |
_aonline resource _2rdacarrier |
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504 | _aIncludes bibliographical references (p. [381]-392) and index. | ||
505 | 0 | _aMachine musicianship -- Symbolic processes -- Sub-symbolic processes -- Segments and patterns -- Compositional techniques -- Algorithmic expression and music cognition -- Interactive improvisation -- Interactive multimedia -- Installations -- Directions. | |
506 | 1 | _aRestricted to subscribers or individual electronic text purchasers. | |
520 | _aMusicians begin formal training by acquiring a body of musical concepts commonly known as musicianship. These concepts underlie the musical skills of listening, performance, and composition. Like humans, computer music programs can benefit from a systematic foundation of musical knowledge. This book explores the technology of implementing musical processes such as segmentation, pattern processing, and interactive improvisation in computer programs. It shows how the resulting applications can be used to accomplish tasks ranging from the solution of simple musical problems to the live performance of interactive compositions and the design of musically responsive installations and Web sites.Machine Musicianship is both a programming tutorial and an exploration of the foundational concepts of musical analysis, performance, and composition. The theoretical foundations are derived from the fields of music theory, computer music, music cognition, and artificial intelligence. The book will be of interest to practitioners of those fields, as well as to performers and composers.The concepts are programmed using C++ and Max. The accompanying CD-ROM includes working versions of the examples, as well as source code and a hypertext document showing how the code leads to the program's musical functionality. | ||
530 | _aAlso available in print. | ||
538 | _aMode of access: World Wide Web | ||
588 | _aDescription based on PDF viewed 12/23/2015. | ||
650 | 0 |
_aComputer composition. _922159 |
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650 | 0 |
_aReal-time programming. _922160 |
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650 | 0 |
_aMusic _xComputer programs. _922161 |
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650 | 0 |
_aArtificial intelligence _xMusical applications. _922162 |
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650 | 7 |
_aMUSIC _xReference. _2bisacsh _922163 |
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650 | 7 |
_aMUSIC _xGenres & Styles _xClassical. _2bisacsh _922164 |
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655 | 0 |
_aElectronic books. _93294 |
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710 | 2 |
_aIEEE Xplore (Online Service), _edistributor. _922165 |
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710 | 2 |
_aMIT Press, _epublisher. _922166 |
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776 | 0 | 8 |
_iPrint version _z9780262681490 |
856 | 4 | 2 |
_3Abstract with links to resource _uhttps://ieeexplore.ieee.org/xpl/bkabstractplus.jsp?bkn=6267328 |
942 | _cEBK | ||
999 |
_c72983 _d72983 |