| 000 | 03447nam a2200529 i 4500 | ||
|---|---|---|---|
| 001 | 6504633 | ||
| 003 | IEEE | ||
| 005 | 20220712204809.0 | ||
| 006 | m o d | ||
| 007 | cr |n||||||||| | ||
| 008 | 151223s2013 maua ob 001 eng d | ||
| 020 |
_a9780262313858 _qelectronic |
||
| 020 |
_z0262313855 _qelectronic |
||
| 020 |
_z9780262018920 _qprint |
||
| 035 | _a(CaBNVSL)mat06504633 | ||
| 035 | _a(IDAMS)0b00006481d40248 | ||
| 040 |
_aCaBNVSL _beng _erda _cCaBNVSL _dCaBNVSL |
||
| 050 | 4 |
_aB105.M65 _bM67 2013eb |
|
| 050 | 4 |
_aB105.M65 _bP67 2013eb |
|
| 082 | 0 | 4 |
_a701/.8 _223 |
| 100 | 1 |
_aPortanova, Stamatia, _d1974- _924025 |
|
| 245 | 1 | 0 |
_aMoving without a body : _bdigital philosophy and choreographic thoughts / _cStamatia Portanova. |
| 264 | 1 |
_aCambridge, Massachusetts : _bMIT Press, _c[2013] |
|
| 264 | 2 |
_a[Piscataqay, New Jersey] : _bIEEE Xplore, _c[2013] |
|
| 300 |
_a1 PDF (x, 179 pages).: : _billustrations. |
||
| 336 |
_atext _2rdacontent |
||
| 337 |
_aelectronic _2isbdmedia |
||
| 338 |
_aonline resource _2rdacarrier |
||
| 490 | 1 | _aTechnologies of lived abstraction | |
| 504 | _aIncludes bibliographical references and index. | ||
| 506 | 1 | _aRestricted to subscribers or individual electronic text purchasers. | |
| 520 | _aDigital technologies offer the possibility of capturing, storing, and manipulating movement, abstracting it from the body and transforming it into numerical information. In Moving without a Body, Stamatia Portanova considers what really happens when the physicality of movement is translated into a numerical code by a technological system. Drawing on the radical empiricism of Gilles Deleuze and Alfred North Whitehead, she argues that this does not amount to a technical assessment of software's capacity to record motion but requires a philosophical rethinking of what movement itself is, or can become. Discussing the development of different audiovisual tools and the shift from analog to digital, she focuses on some choreographic realizations of this evolution, including works by Loie Fuller and Merce Cunningham. Throughout, Portanova considers these technologies and dances as ways to think -- rather than just perform or perceive -- movement. She distinguishes the choreographic thought from the performance: a body performs a movement, and a mind thinks or choreographs a dance. Similarly, she sees the move from analog to digital as a shift in conception rather than simply in technical realization. Analyzing choreographic technologies for their capacity to redesign the way movement is thought, Moving without a Body offers an ambitiously conceived reflection on the ontological implications of the encounter between movement and technological systems. | ||
| 530 | _aAlso available in print. | ||
| 538 | _aMode of access: World Wide Web | ||
| 588 | _aDescription based on PDF viewed 12/23/2015. | ||
| 650 | 0 |
_aMovement (Philosophy) _924026 |
|
| 650 | 0 |
_aHuman body (Philosophy) _924027 |
|
| 650 | 0 |
_aChoreography _xPhilosophy. _924028 |
|
| 650 | 0 |
_aDigital art _xPhilosophy. _924029 |
|
| 655 | 0 |
_aElectronic books. _93294 |
|
| 710 | 2 |
_aIEEE Xplore (Online Service), _edistributor. _924030 |
|
| 710 | 2 |
_aMIT Press, _epublisher. _924031 |
|
| 776 | 0 | 8 |
_iPrint version _z9780262018920 |
| 830 | 0 |
_aTechnologies of lived abstraction. _924032 |
|
| 856 | 4 | 2 |
_3Abstract with links to resource _uhttps://ieeexplore.ieee.org/xpl/bkabstractplus.jsp?bkn=6504633 |
| 942 | _cEBK | ||
| 999 |
_c73322 _d73322 |
||