| 000 | 03591nam a2200541 i 4500 | ||
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| 001 | 6554499 | ||
| 003 | IEEE | ||
| 005 | 20220712204812.0 | ||
| 006 | m o d | ||
| 007 | cr |n||||||||| | ||
| 008 | 151223s2013 mau ob 001 eng d | ||
| 020 |
_z9780262018951 _qprint |
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| 020 |
_a9780262313506 _qelectronic |
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| 020 |
_z0262313502 _qelectronic |
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| 020 |
_z9781299658455 _qMyiLibrary |
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| 020 |
_z1299658458 _qMyiLibrary |
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| 035 | _a(CaBNVSL)mat06554499 | ||
| 035 | _a(IDAMS)0b00006481dbdf35 | ||
| 040 |
_aCaBNVSL _beng _erda _cCaBNVSL _dCaBNVSL |
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| 050 | 4 |
_aQA76.9.C66 _bM857 2013eb |
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| 082 | 0 | 4 |
_a303.48/34 _223 |
| 100 | 1 |
_aMunster, Anna, _eauthor. _924081 |
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| 245 | 1 | 3 |
_aAn aesthesia of networks : _bconjunctive experience in art and technology / _cAnna Munster. |
| 264 | 1 |
_aCambridge, Massachusetts : _bMIT Press, _c2013. |
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| 264 | 2 |
_a[Piscataqay, New Jersey] : _bIEEE Xplore, _c[2013] |
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| 300 | _a1 PDF (248 pages). | ||
| 336 |
_atext _2rdacontent |
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| 337 |
_aelectronic _2isbdmedia |
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| 338 |
_aonline resource _2rdacarrier |
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| 490 | 1 | _aTechnologies of lived abstraction | |
| 504 | _aIncludes bibliographical references and index. | ||
| 506 | 1 | _aRestricted to subscribers or individual electronic text purchasers. | |
| 520 | _aToday almost every aspect of life for which data exists can be rendered as a network. Financial data, social networks, biological ecologies: all are visualized in links and nodes, lines connecting dots. A network visualization of a corporate infrastructure could look remarkably similar to that of a terrorist organization. In An Aesthesia of Networks, Anna Munster argues that this uniformity has flattened our experience of networks as active and relational processes and assemblages. She counters the "network anaesthesia" that results from this pervasive mimesis by reinserting the question of experience, or aesthesia, into networked culture and aesthetics. Rather than asking how humans experience computers and networks, Munster asks how networks experience -- what operations they perform and undergo to change and produce new forms of experience. Drawing on William James's radical empiricism, she asserts that networked experience is assembled first and foremost through relations, which make up its most immediately sensed and perceived aspect. Munster critically considers a range of contemporary artistic and cultural practices that engage with network technologies and techniques, including databases and data mining, the domination of search in online activity, and the proliferation of viral media through YouTube. These practices -- from artists who "undermine" data to musicians and VJs who use intranetworked audio and video software environments -- are concerned with the relationality at the core of today's network experience. | ||
| 530 | _aAlso available in print. | ||
| 538 | _aMode of access: World Wide Web | ||
| 588 | _aDescription based on PDF viewed 12/23/2015. | ||
| 650 | 0 |
_aComputers and civilization. _921733 |
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| 650 | 0 |
_aComputer networks _xSocial aspects. _910321 |
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| 650 | 0 |
_aInformation technology _xSocial aspects. _98944 |
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| 650 | 0 |
_aMass media _xTechnological innovations. _924082 |
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| 655 | 0 |
_aElectronic books. _93294 |
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| 710 | 2 |
_aIEEE Xplore (Online Service), _edistributor. _924083 |
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| 710 | 2 |
_aMIT Press, _epublisher. _924084 |
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| 776 | 0 | 8 |
_iPrint version _z9780262018951 |
| 830 | 0 |
_aTechnologies of lived abstraction. _924085 |
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| 856 | 4 | 2 |
_3Abstract with links to resource _uhttps://ieeexplore.ieee.org/xpl/bkabstractplus.jsp?bkn=6554499 |
| 942 | _cEBK | ||
| 999 |
_c73331 _d73331 |
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