000			03581nam a2200505 i 4500
001			6731149
003			IEEE
005			20220712204819.0
006			m o d
007			cr |n|||||||||
008			151223s2013 mau ob 001 eng d
020			_z9780262019514 _qprint
020			_a9780262318914 _qe-book
035			_a(CaBNVSL)mat06731149
035			_a(IDAMS)0b00006482031490
040			_aCaBNVSL _beng _erda _cCaBNVSL _dCaBNVSL
050		4	_aN72.M3 _bS53 2013eb
082	0	4	_a701/.51 _223
100	1		_aSha, Xin Wei, _eauthor. _924219
245	1	0	_aPoiesis and enchantment in topological matter / _cSha Xin Wei.
264		1	_aCambridge, Massachusetts : _bMIT Press, _c[2013]
264		1	_a _b, _c2013
264		2	_a[Piscataqay, New Jersey] : _bIEEE Xplore, _c[2013]
300			_a1 PDF (384 pages).
336			_atext _2rdacontent
337			_aelectronic _2isbdmedia
338			_aonline resource _2rdacarrier
504			_aIncludes bibliographical references.
505	0		_aIntroduction: why this book? -- From technologies of representation to technologies of performance -- Performance in responsive environments, the performative event -- Substrate -- Morphogenesis -- Topology, manifolds, dynamical systems, measure, and bundles -- Practices: apparatus and atelier -- Effects.
506	1		_aRestricted to subscribers or individual electronic text purchasers.
520			_aIn this challenging but exhilarating work, Sha Xin Wei argues for an approach to materiality inspired by continuous mathematics and process philosophy. Investigating the implications of such an approach to media and matter in the concrete setting of installation- or event-based art and technology, Sha maps a genealogy of topological media -- that is, of an articulation of continuous matter that relinquishes a priori objects, subjects, and egos and yet constitutes value and novelty. Doing so, he explores the ethico-aesthetic consequences of topologically creating performative events and computational media. Sha's interdisciplinary investigation is informed by thinkers ranging from Heraclitus to Alfred North Whitehead to Gilbert Simondon to Alain Badiou to Donna Haraway to Gilles Deleuze and F�lix Guattari.Sha traces the critical turn from representation to performance, citing a series of installation-events envisioned and built over the past decade. His analysis offers a fresh way to conceive and articulate interactive materials of new media, one inspired by continuity, field, and philosophy of process. Sha explores the implications of this for philosophy and social studies of technology and science relevant to the creation of research and art. Weaving together philosophy, aesthetics, critical theory, mathematics, and media studies, he shows how thinking about the world in terms of continuity and process can be informed by computational technologies, and what such thinking implies for emerging art and technology.
530			_aAlso available in print.
538			_aMode of access: World Wide Web
588			_aDescription based on PDF viewed 12/23/2015.
650		0	_aArt _xMathematics. _924220
650		0	_aNew media art. _924221
650		0	_aTopology. _913470
655		0	_aElectronic books. _93294
655		6	_aLivres �electroniques. _924222
710	2		_aIEEE Xplore (Online Service), _edistributor. _924223
710	2		_aMIT Press, _epublisher. _924224
776	0	8	_iPrint version _z9780262019514
856	4	2	_3Abstract with links to resource _uhttps://ieeexplore.ieee.org/xpl/bkabstractplus.jsp?bkn=6731149
942			_cEBK
999			_c73352 _d73352