000 03555nam a2200517 i 4500
001 7176536
003 IEEE
005 20220712204844.0
006 m o d
007 cr |n|||||||||
008 151228s2015 maua ob 001 eng d
010 _z 2015002000 (print)
020 _a9780262330060
_qelectronic
020 _z9780262029520
_qhardcover : alk. paper
035 _a(CaBNVSL)mat07176536
035 _a(IDAMS)0b0000648494ca78
040 _aCaBNVSL
_beng
_erda
_cCaBNVSL
_dCaBNVSL
050 4 _aN7433.8
_b.P378 2015eb
082 0 0 _a776
_223
100 1 _aPatterson, Zabet,
_eauthor.
_924684
245 1 0 _aPeripheral vision :
_bBell Labs, the S-C 4020, and the origins of computer art /
_cZabet Patterson.
264 1 _aCambridge, Massachusetts :
_bMIT Press,
_c[2015]
264 2 _a[Piscataqay, New Jersey] :
_bIEEE Xplore,
_c[2015]
300 _a1 PDF (xviii, 133 pages) :
_billustrations.
336 _atext
_2rdacontent
336 _astill image
_2rdacontent
337 _aelectronic
_2isbdmedia
338 _aonline resource
_2rdacarrier
490 1 _aPlatform studies
504 _aIncludes bibliographical references and index.
506 1 _aRestricted to subscribers or individual electronic text purchasers.
520 _aIn 1959, the electronics manufacturer Stromberg-Carlson produced the S-C 4020, a device that allowed mainframe computers to present and preserve images. In the mainframe era, the output of text and image was quite literally peripheral; the S-C 4020 -- a strange and elaborate apparatus, with a cathode ray screen, a tape deck, a buffer unit, a film camera, and a photo-paper camera -- produced most of the computer graphics of the late 1950s and early 1960s. At Bell Laboratories in Murray Hill, New Jersey, the S-C 4020 became a crucial part of ongoing encounters among art, science, and technology. In this book, Zabet Patterson examines the extraordinary uses to which the Bell Labs SC-2040 was put between 1961 and 1972, exploring a series of early computer art projects shaped by the special computational affordances of the S-C 4020. The S-C 4020 produced tabular data, graph plotting and design drawings, grid projections, and drawings of axes and vectors; it made previously impossible visualizations possible. Among the works Patterson describes are E. E. Zajac's short film of an orbiting satellite, which drew on the machine's graphic capacities as well as the mainframe's calculations; a groundbreaking exhibit of "computer generated pictures" by B�la Julesz and Michael Noll, two scientists interested in visualization; animations by Kenneth Knowlton and the Bell Labs artist-in-residence Stan VanDerBeek; and Lillian Schwartz's "cybernetic" film Pixillation.Arguing for the centrality of a peripheral, Patterson makes a case for considering computational systems not simply as machines but in their cultural and historical context.
530 _aAlso available in print.
538 _aMode of access: World Wide Web
588 _aDescription based on PDF viewed 12/28/2015.
610 2 0 _aAT & T Bell Laboratories.
_924685
650 0 _aComputer art.
_924686
650 0 _aComputer peripherals.
_924687
655 0 _aElectronic books.
_93294
710 2 _aIEEE Xplore (Online Service),
_edistributor.
_924688
710 2 _aMIT Press,
_epublisher.
_924689
776 0 8 _iPrint version
_z9780262029520
830 0 _aPlatform studies
_921418
856 4 2 _3Abstract with links to resource
_uhttps://ieeexplore.ieee.org/xpl/bkabstractplus.jsp?bkn=7176536
942 _cEBK
999 _c73432
_d73432