000			03643nam a2200517 i 4500
001			8544151
003			IEEE
005			20220712204922.0
006			m o d
007			cr |n|||||||||
008			181218s2018 mau ob 001 eng d
020			_a9780262346559 _qelectronic bk.
020			_z9780262037945 _qprint
035			_a(CaBNVSL)mat08544151
035			_a(IDAMS)0b00006488883406
040			_aCaBNVSL _beng _erda _cCaBNVSL _dCaBNVSL
050		4	_aQA76.9.U83 _bA524 2018eb
082	0	4	_a005.4/37 _223
100	1		_aAndersen, Christian Ulrik, _eauthor. _925371
245	1	4	_aThe metainterface : _bthe art of platforms, cities, and clouds / _cChristian Ulrik Andersen and Sren Bro Pold.
264		1	_aCambridge : _bThe MIT Press, _c2018
264		2	_a[Piscataqay, New Jersey] : _bIEEE Xplore, _c[2018]
300			_a1 PDF (248 pages).
336			_atext _2rdacontent
337			_aelectronic _2isbdmedia
338			_aonline resource _2rdacarrier
504			_aIncludes bibliographical references and index.
506			_aRestricted to subscribers or individual electronic text purchasers.
520			_aHow the interface has moved from the PC into cultural platforms, as seen in a series of works of net art, software art and electronic literature. The computer interface is both omnipresent and invisible, at once embedded in everyday objects and characterized by hidden exchanges of information between objects. The interface has moved from office into culture, with devices, apps, the cloud, and data streams as new cultural platforms. In The Metainterface , Christian Ulrik Andersen and Sren Bro Pold examine the relationships between art and interfaces, tracing the interface's disruption of everyday cultural practices. They present a new interface paradigm of cloud services, smartphones, and data capture, and examine how particular art forms -- including net art, software art, and electronic literature -- seek to reflect and explore this paradigm. Andersen and Pold argue that despite attempts to make the interface disappear into smooth access and smart interaction, it gradually resurfaces; there is a metainterface to the displaced interface. Art can help us see this; the interface can be an important outlet for aesthetic critique. Andersen and Pold describe the "semantic capitalism" of a metainterface industry that captures user behavior; the metainterface industry's disruption of everyday urban life, changing how the city is read, inhabited, and organized; the ways that the material displacement of the cloud affects the experience of the interface; and the potential of designing with an awareness of the language and grammar of interfaces.
530			_aAlso available in print.
538			_aMode of access: World Wide Web
588	0		_aPrint version record.
650		0	_aUser interfaces (Computer systems) _xPhilosophy. _925372
650		0	_aApplication software _xSocial aspects. _925373
650		0	_aHuman-computer interaction _xPsychological aspects. _924786
650		0	_aComputer art. _924686
650		7	_aComputer art. _2fast _924686
650		7	_aHuman-computer interaction _xPsychological aspects. _2fast _924786
655		4	_aElectronic books. _93294
700	1		_aPold, Sren, _eauthor. _925374
710	2		_aIEEE Xplore (Online Service), _edistributor. _925375
710	2		_aMIT Press, _epublisher. _925376
776	0	8	_iPrint version: _aAndersen, Christian Ulrik, author. _tMetainterface _z9780262037945 _w(DLC) 2017042793 _w(OCoLC)1002294760
856	4	2	_3Abstract with links to resource _uhttps://ieeexplore.ieee.org/xpl/bkabstractplus.jsp?bkn=8544151
942			_cEBK
999			_c73548 _d73548