000			03695nam a2200517 i 4500
001			8746070
003			IEEE
005			20220712204940.0
006			m o d
007			cr |n|||||||||
008			190809s2019 mau ob 001 eng d
020			_a9780262352093 _qelectronic bk.
020			_z0262352095 _qelectronic bk.
020			_z9780262039628
020			_z0262039621
035			_a(CaBNVSL)mat08746070
035			_a(IDAMS)0b00006489400b84
040			_aCaBNVSL _beng _erda _cCaBNVSL _dCaBNVSL
050		4	_aN7433.8 _b.B62 2019eb
082	0	4	_a700.1 _223
100	1		_aBoden, Margaret A., _eauthor. _925695
245	1	0	_aFrom fingers to digits : _ban artificial aesthetic / _cMargaret A. Boden and Ernest Edmonds.
264		1	_aCambridge : _bThe MIT Press, _c2019.
264		2	_a[Piscataqay, New Jersey] : _bIEEE Xplore, _c[2019]
300			_a1 PDF (384 pages).
336			_atext _2rdacontent
337			_aelectronic _2isbdmedia
338			_aonline resource _2rdacarrier
490	1		_aLeonardo
505	0		_aIntroduction -- A taxonomy of computer art -- Explaining the ineffable -- Art appreciation and creative skills -- Can evolutionary art provide radical novelty? -- Collingwood, emotion, and computer art -- The gothic and computer art -- Computer art and the art world -- Formal ways of making art: code as an answer to a dream -- Programming as art -- Diversities of interaction -- Correspondences: uniting image and sound -- Diversities of engagement -- Conversations with computer artists.
506			_aRestricted to subscribers or individual electronic text purchasers.
520			_aEssays on computer art and its relation to more traditional art, by a pioneering practitioner and a philosopher of artificial intelligence. In From Fingers to Digits , a practicing artist and a philosopher examine computer art and how it has been both accepted and rejected by the mainstream art world. In a series of essays, Margaret Boden, a philosopher and expert in artificial intelligence, and Ernest Edmonds, a pioneering and internationally recognized computer artist, grapple with key questions about the aesthetics of computer art. Other modern technologies--photography and film--have been accepted by critics as ways of doing art. Does the use of computers compromise computer art's aesthetic credentials in ways that the use of cameras does not Is writing a computer program equivalent to painting with a brush Essays by Boden identify types of computer art, describe the study of creativity in AI, and explore links between computer art and traditional views in philosophical aesthetics. Essays by Edmonds offer a practitioner's perspective, considering, among other things, how the experience of creating computer art compares to that of traditional art making. Finally, the book presents interviews in which contemporary computer artists offer a wide range of comments on the issues raised in Boden's and Edmonds's essays.
530			_aAlso available in print.
538			_aMode of access: World Wide Web
588	0		_aPrint version record.
650		0	_aComputer art. _924686
650		0	_aArt _xPhilosophy. _925696
655		4	_aElectronic books. _93294
700	1		_aEdmonds, Ernest A., _d1942- _eauthor. _925697
710	2		_aIEEE Xplore (Online Service), _edistributor. _925698
710	2		_aMIT Press, _epublisher. _925699
776	0	8	_iPrint version: _aBoden, Margaret A., author. _tFrom fingers to digits _z9780262039628 _w(DLC) 2018029639 _w(OCoLC)1043973016
830		0	_aLeonardo book series. _923629
856	4	2	_3Abstract with links to resource _uhttps://ieeexplore.ieee.org/xpl/bkabstractplus.jsp?bkn=8746070
942			_cEBK
999			_c73603 _d73603