000 | 03742nam a22005415i 4500 | ||
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001 | 978-3-319-47292-8 | ||
003 | DE-He213 | ||
005 | 20220801215057.0 | ||
007 | cr nn 008mamaa | ||
008 | 161226s2017 sz | s |||| 0|eng d | ||
020 |
_a9783319472928 _9978-3-319-47292-8 |
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024 | 7 |
_a10.1007/978-3-319-47292-8 _2doi |
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_aTTA _2bicssc |
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_aTEC001000 _2bisacsh |
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_a620.2 _223 |
245 | 1 | 0 |
_aStudies in Musical Acoustics and Psychoacoustics _h[electronic resource] / _cedited by Albrecht Schneider. |
250 | _a1st ed. 2017. | ||
264 | 1 |
_aCham : _bSpringer International Publishing : _bImprint: Springer, _c2017. |
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300 |
_aXII, 444 p. 268 illus., 169 illus. in color. _bonline resource. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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347 |
_atext file _bPDF _2rda |
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490 | 1 |
_aCurrent Research in Systematic Musicology, _x2196-6974 ; _v4 |
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505 | 0 | _aIntroduction -- Japanese Flutes and their musical acoustic peculiarities -- Acoustics of the Qin -- Tone Production of the Wurlitzer and Rhodes E-Pianos -- Feedback of Different Room Geometries on the Sound Generation and Sound Radiation of an Organ Pipe -- Acoustical Modeling of Mutes for Brass Instruments -- Comparison of Vocal and Violin Vibrato with Relationship to the Source/Filter Model -- Vowel Quality in Violin Sounds – a Timbre Analysis of Italian Masterpieces -- Sound, Pitches and Tuning of a Historic Carillon -- Source Width in Music Production. Methods in Stereo, Ambisonics, and Wave Field Synthesis -- Methods in Neuromusicology: Principles, Trends, Examples and the pros and cons -- An intelligent music system to perform different "shapes of jazz – to come -- Explorations in Keyboard Temperaments. Some Empirical Observations. | |
520 | _aThis book comprises twelve articles which cover a range of topics from musical instrument acoustics to issues in psychoacoustics and sound perception as well as neuromusicology. In addition to experimental methods and data acquisition, modeling (such as FEM or wave field synthesis) and numerical simulation plays a central role in studies addressing sound production in musical instruments as well as interaction of radiated sound with the environment. Some of the studies have a focus on psychoacoustic aspects in regard to virtual pitch and timbre as well as apparent source width (for techniques such as stereo or ambisonics) in music production. Since musical acoustics imply subjects playing instruments or singing in order to produce sound according to musical structures, this area is also covered including a study that presents an artifical intelligent agent capable to interact with a real ('analog') player in musical genres such as traditional and free jazz. . | ||
650 | 0 |
_aAcoustical engineering. _99499 |
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650 | 0 |
_aMusic. _933537 |
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650 | 0 |
_aAcoustics. _919841 |
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650 | 1 | 4 |
_aEngineering Acoustics. _931982 |
650 | 2 | 4 |
_aMusic. _933537 |
650 | 2 | 4 |
_aAcoustics. _919841 |
700 | 1 |
_aSchneider, Albrecht. _eeditor. _4edt _4http://id.loc.gov/vocabulary/relators/edt _942200 |
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710 | 2 |
_aSpringerLink (Online service) _942201 |
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773 | 0 | _tSpringer Nature eBook | |
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_iPrinted edition: _z9783319472911 |
776 | 0 | 8 |
_iPrinted edition: _z9783319472935 |
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_iPrinted edition: _z9783319837017 |
830 | 0 |
_aCurrent Research in Systematic Musicology, _x2196-6974 ; _v4 _942202 |
|
856 | 4 | 0 | _uhttps://doi.org/10.1007/978-3-319-47292-8 |
912 | _aZDB-2-ENG | ||
912 | _aZDB-2-SXE | ||
942 | _cEBK | ||
999 |
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