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020 _a9783319472928
_9978-3-319-47292-8
024 7 _a10.1007/978-3-319-47292-8
_2doi
050 4 _aTA365-367.5
072 7 _aTTA
_2bicssc
072 7 _aTEC001000
_2bisacsh
072 7 _aTTA
_2thema
082 0 4 _a620.2
_223
245 1 0 _aStudies in Musical Acoustics and Psychoacoustics
_h[electronic resource] /
_cedited by Albrecht Schneider.
250 _a1st ed. 2017.
264 1 _aCham :
_bSpringer International Publishing :
_bImprint: Springer,
_c2017.
300 _aXII, 444 p. 268 illus., 169 illus. in color.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 1 _aCurrent Research in Systematic Musicology,
_x2196-6974 ;
_v4
505 0 _aIntroduction -- Japanese Flutes and their musical acoustic peculiarities -- Acoustics of the Qin -- Tone Production of the Wurlitzer and Rhodes E-Pianos -- Feedback of Different Room Geometries on the Sound Generation and Sound Radiation of an Organ Pipe -- Acoustical Modeling of Mutes for Brass Instruments -- Comparison of Vocal and Violin Vibrato with Relationship to the Source/Filter Model -- Vowel Quality in Violin Sounds – a Timbre Analysis of Italian Masterpieces -- Sound, Pitches and Tuning of a Historic Carillon -- Source Width in Music Production. Methods in Stereo, Ambisonics, and Wave Field Synthesis -- Methods in Neuromusicology: Principles, Trends, Examples and the pros and cons -- An intelligent music system to perform different "shapes of jazz – to come -- Explorations in Keyboard Temperaments. Some Empirical Observations.
520 _aThis book comprises twelve articles which cover a range of topics from musical instrument acoustics to issues in psychoacoustics and sound perception as well as neuromusicology. In addition to experimental methods and data acquisition, modeling (such as FEM or wave field synthesis) and numerical simulation plays a central role in studies addressing sound production in musical instruments as well as interaction of radiated sound with the environment. Some of the studies have a focus on psychoacoustic aspects in regard to virtual pitch and timbre as well as apparent source width (for techniques such as stereo or ambisonics) in music production. Since musical acoustics imply subjects playing instruments or singing in order to produce sound according to musical structures, this area is also covered including a study that presents an artifical intelligent agent capable to interact with a real ('analog') player in musical genres such as traditional and free jazz. .
650 0 _aAcoustical engineering.
_99499
650 0 _aMusic.
_933537
650 0 _aAcoustics.
_919841
650 1 4 _aEngineering Acoustics.
_931982
650 2 4 _aMusic.
_933537
650 2 4 _aAcoustics.
_919841
700 1 _aSchneider, Albrecht.
_eeditor.
_4edt
_4http://id.loc.gov/vocabulary/relators/edt
_942200
710 2 _aSpringerLink (Online service)
_942201
773 0 _tSpringer Nature eBook
776 0 8 _iPrinted edition:
_z9783319472911
776 0 8 _iPrinted edition:
_z9783319472935
776 0 8 _iPrinted edition:
_z9783319837017
830 0 _aCurrent Research in Systematic Musicology,
_x2196-6974 ;
_v4
_942202
856 4 0 _uhttps://doi.org/10.1007/978-3-319-47292-8
912 _aZDB-2-ENG
912 _aZDB-2-SXE
942 _cEBK
999 _c77084
_d77084