000 03854nam a22005055i 4500
001 978-3-7091-4891-4
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005 20220801220121.0
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008 210109s2020 au | s |||| 0|eng d
020 _a9783709148914
_9978-3-7091-4891-4
024 7 _a10.1007/978-3-7091-4891-4
_2doi
050 4 _aTA365-367.5
072 7 _aTTA
_2bicssc
072 7 _aTEC001000
_2bisacsh
072 7 _aTTA
_2thema
082 0 4 _a620.2
_223
100 1 _aPfanzagl-Cardone, Edwin.
_eauthor.
_4aut
_4http://id.loc.gov/vocabulary/relators/aut
_948450
245 1 4 _aThe Art and Science of Surround and Stereo Recording
_h[electronic resource] :
_bIncluding 3D Audio Techniques /
_cby Edwin Pfanzagl-Cardone.
250 _a1st ed. 2020.
264 1 _aVienna :
_bSpringer Vienna :
_bImprint: Springer,
_c2020.
300 _aXXIV, 412 p. 346 illus., 135 illus. in color.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 _aSpatial Hearing -- Correlation und Coherence -- Stereo microphone techniques -- Surround microphone techniques -- Artificial head recordings -- Some thoughts on subjective listening tests -- An attempt at a qualitative ranking of several surround-microphones -- an examination of various studies in the field -- Analysis of frequency dependent correlation and coherence in surround microphone systems -- Analysis of frequency dependent correlation in stereo-microphone systems -- BQIrep -- proposal of a ‚Binaural Quality Index’ for reproduced music -- Case studies of surround and stereo-recordings. - Short history of microphone techniques including DECCA, RCA and COLUMBIA.
520 _aThis book presents an extensive and timely survey of more than 30 surround and 20 stereo-microphone techniques. Further, it offers, for the first time, an explanation of why the RCA "Living Stereo" series of legacy recordings from the 1950s and 60s is still appreciated by music lovers worldwide, despite their use of an apparently incorrect recording technique from the perspective of psychoacoustics. Discussing this aspect in detail, the book draws on the author’s study of concert hall acoustics and psychoacoustics. The book also analyzes the "fingerprint" features of a selected number of surround and – more importantly – stereo microphone techniques in depth by measuring their signal cross-correlation over frequency and also using an artificial human head. In addition, the book presents a rating of microphone techniques based on the assessment of various acoustic attributes, and merges the results of several subjective listening tests, including those conducted by other researchers. Building on this knowledge, it provides fresh insights into important microphone system features, from stereo to 3D audio. Moreover, it describes new microphone techniques, such as AB-PC, ORTF-T and BPT, and the recently defined BQIrep (Binaural Quality Index of reproduced music). Lastly, the book concludes with a short history of microphone techniques and case studies of live and studio recordings.
650 0 _aAcoustical engineering.
_99499
650 0 _aSignal processing.
_94052
650 0 _aMusic.
_933537
650 1 4 _aEngineering Acoustics.
_931982
650 2 4 _aSignal, Speech and Image Processing .
_931566
650 2 4 _aMusic.
_933537
710 2 _aSpringerLink (Online service)
_948451
773 0 _tSpringer Nature eBook
776 0 8 _iPrinted edition:
_z9783709148891
776 0 8 _iPrinted edition:
_z9783709148907
856 4 0 _uhttps://doi.org/10.1007/978-3-7091-4891-4
912 _aZDB-2-ENG
912 _aZDB-2-SXE
942 _cEBK
999 _c78222
_d78222