000 | 03562nam a22006255i 4500 | ||
---|---|---|---|
001 | 978-3-319-25739-6 | ||
003 | DE-He213 | ||
005 | 20220801222745.0 | ||
007 | cr nn 008mamaa | ||
008 | 151124s2016 sz | s |||| 0|eng d | ||
020 |
_a9783319257396 _9978-3-319-25739-6 |
||
024 | 7 |
_a10.1007/978-3-319-25739-6 _2doi |
|
050 | 4 | _aTJ212-225 | |
050 | 4 | _aTJ210.2-211.495 | |
072 | 7 |
_aTJFM _2bicssc |
|
072 | 7 |
_aTEC037000 _2bisacsh |
|
072 | 7 |
_aTJFM _2thema |
|
082 | 0 | 4 |
_a629.8 _223 |
245 | 1 | 0 |
_aDance Notations and Robot Motion _h[electronic resource] / _cedited by Jean-Paul Laumond, Naoko Abe. |
250 | _a1st ed. 2016. | ||
264 | 1 |
_aCham : _bSpringer International Publishing : _bImprint: Springer, _c2016. |
|
300 |
_aX, 430 p. _bonline resource. |
||
336 |
_atext _btxt _2rdacontent |
||
337 |
_acomputer _bc _2rdamedia |
||
338 |
_aonline resource _bcr _2rdacarrier |
||
347 |
_atext file _bPDF _2rda |
||
490 | 1 |
_aSpringer Tracts in Advanced Robotics, _x1610-742X ; _v111 |
|
520 | _aHow and why to write a movement? Who is the writer? Who is the reader? They may be choreographers working with dancers. They may be roboticists programming robots. They may be artists designing cartoons in computer animation. In all such fields the purpose is to express an intention about a dance, a specific motion or an action to perform, in terms of intelligible sequences of elementary movements, as a music score that would be devoted to motion representation. Unfortunately there is no universal language to write a motion. Motion languages live together in a Babel tower populated by biomechanists, dance notators, neuroscientists, computer scientists, choreographers, roboticists. Each community handles its own concepts and speaks its own language. The book accounts for this diversity. Its origin is a unique workshop held at LAAS-CNRS in Toulouse in 2014. Worldwide representatives of various communities met there. Their challenge was to reach a mutual understanding allowing a choreographer to access robotics concepts, or a computer scientist to understand the subtleties of dance notation. The liveliness of this multidisciplinary meeting is reflected by the book thank to the willingness of authors to share their own experiences with others. | ||
650 | 0 |
_aControl engineering. _931970 |
|
650 | 0 |
_aRobotics. _92393 |
|
650 | 0 |
_aAutomation. _92392 |
|
650 | 0 |
_aBiomedical engineering. _93292 |
|
650 | 0 |
_aComputational intelligence. _97716 |
|
650 | 0 |
_aSports sciences. _932892 |
|
650 | 0 |
_aArtificial intelligence. _93407 |
|
650 | 1 | 4 |
_aControl, Robotics, Automation. _931971 |
650 | 2 | 4 |
_aBiomedical Engineering and Bioengineering. _931842 |
650 | 2 | 4 |
_aComputational Intelligence. _97716 |
650 | 2 | 4 |
_aSport Science. _932893 |
650 | 2 | 4 |
_aArtificial Intelligence. _93407 |
700 | 1 |
_aLaumond, Jean-Paul. _eeditor. _4edt _4http://id.loc.gov/vocabulary/relators/edt _963201 |
|
700 | 1 |
_aAbe, Naoko. _eeditor. _4edt _4http://id.loc.gov/vocabulary/relators/edt _963202 |
|
710 | 2 |
_aSpringerLink (Online service) _963203 |
|
773 | 0 | _tSpringer Nature eBook | |
776 | 0 | 8 |
_iPrinted edition: _z9783319257372 |
776 | 0 | 8 |
_iPrinted edition: _z9783319257389 |
776 | 0 | 8 |
_iPrinted edition: _z9783319369327 |
830 | 0 |
_aSpringer Tracts in Advanced Robotics, _x1610-742X ; _v111 _963204 |
|
856 | 4 | 0 | _uhttps://doi.org/10.1007/978-3-319-25739-6 |
912 | _aZDB-2-ENG | ||
912 | _aZDB-2-SXE | ||
942 | _cEBK | ||
999 |
_c81122 _d81122 |