| 000 | 02737nam a2200433 i 4500 | ||
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| 001 | CR9789048550463 | ||
| 003 | UkCbUP | ||
| 005 | 20240730160826.0 | ||
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| 008 | 201022s2019||||ne o ||1 0|eng|d | ||
| 020 | _a9789048550463 (ebook) | ||
| 020 | _z9789463724623 (hardback) | ||
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_aUkCbUP _beng _erda _cUkCbUP |
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| 041 | 1 |
_aeng _fre |
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| 050 | 4 |
_aTR848 _b.T9713 2019 |
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| 082 | 0 | 4 |
_a791 _223 |
| 100 | 1 |
_aTurquety, Benoît, _eauthor. _975101 |
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| 240 | 1 | 0 |
_aInventer le cinéma. _lEnglish |
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_aInventing cinema : _bmachines, gestures and media history / _cBenoît Turquety ; translated by Timothy Barnard. |
| 264 | 1 |
_aAmsterdam : _bAmsterdam University Press, _c2019. |
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| 300 |
_a1 online resource (267 pages) : _bdigital, PDF file(s). |
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| 336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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| 490 | 1 | _aCinema and technology | |
| 500 | _aOriginally published as: Inventer le cinéma. Épistémologie : problèmes, machines, Éditions L'Âge d'Homme (Lausanne), 2014 | ||
| 500 | _aTitle from publisher's bibliographic system (viewed on 20 Nov 2020). | ||
| 520 | _aWith machines mediating most of our cultural practices, and innovations, obsolescence and revivals constantly transforming our relation with images and sounds, media feel more unstable than ever. But was there ever a 'stable' moment in media history? Inventing Cinema proposes to approach this question through an archaeology and epistemology of media machines. The archaeology analyses them as archives of users' gestures, as well as of modes of perception. The epistemology reconstructs the problems that the machines' designers and users have strived to solve, and the network of concepts they have elaborated to understand these problems. Drawing on the philosophy of technology and anthropology, Inventing Cinema argues that networks of gestures, problems, perception and concepts are inscribed in vision machines, from the camera obscura to the stereoscope, the Cinématographe, and digital cinema. The invention of cinema is ultimately seen as an ongoing process irreducible to a single moment in history. | ||
| 650 | 0 |
_aCinematography _xHistory. _975102 |
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| 650 | 0 |
_aCinematography _xEquipment and supplies. _975103 |
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_aMotion pictures _xTechnique. _975104 |
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_aMotion picture projection _xTechnological innovations. _975105 |
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_aDigital cinematography. _975106 |
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_iPrint version: _z9789463724623 |
| 830 | 0 |
_aCinema and technology (Amsterdam, Netherlands) _975107 |
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| 856 | 4 | 0 | _uhttps://www.cambridge.org/core/product/identifier/9789048550463/type/BOOK |
| 942 | _cEBK | ||
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_c84355 _d84355 |
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